11/14/2022 0 Comments Robert miller veeer![]() lawmakers who are clamoring for a higher level of protection for these shared waters. In response, Indigenous groups have emerged as a driving force behind a movement of residents, scientists and U.S. Now the province is poised to permit three of the largest mining operations in North America, including one along a waterway that begins near Cranbrook, ends just north of Portland, Oregon, and already shows signs of mining contamination. In the U.S., this would raise alarms and warrant hefty fines, but B.C.’s mining companies are not beholden to the EPA. Downstream of some mines, fish populations have crashed and water-quality studies have shown levels of contamination up to 85 times what biologists consider safe for aquatic life. states, fishing communities and vulnerable ecosystems. From fissures in the Canadian Rockies, these waterways can carry the residues of mineral extraction on a circuitous, international route. There are at least a dozen mining projects along nine rivers that drain out of B.C. In recent years, that lax oversight has fostered a simmering sense of unease among people living around some of the province’s many abandoned and operating mines, and the feeling has not been restricted to Canada. “Anybody in the world can stake a claim in B.C., as long as they have the internet and a credit card,” she says.īev Sellars, former chief of the Xat’sull First Nation, with her husband, Hereditary Chief Bill Wilson.(Credit: Courtesy of Bev Sellars) Rather than looking to get rich, Sellars wanted to make a point: In B.C., mining permits are too easy to come by, regulations are too weak and the effects are felt well beyond their source. They were a group of First Nations women led by Bev Sellars, a former chief of the Xat’sull First Nation, who had purchased the mining claim from the comfort of her home hundreds of miles away, for $129.89 Canadian ($105 USD). But the people behind the permit weren’t looking to strike a claim. “The claim is not going to pay off for them,” then-Minister Bill Bennet told The Province at the time his home sits high and dry on a forested hill with no streams to explore. More than 60 years later, it still leaks toxicants into the Taku River watershed, which flows into southern Alaska and the Pacific Ocean. The Gorfaine/Schwartz Agency in Los Angeles represents Miller in film and television.The abandoned Tulsequah Chief ore mine in northwestern British Columbian operated for less than 10 years before closing in 1957. Miller has written several works that have been performed by orchestras nationwide including a 2017 commission for the New York City Ballet. Miller studied formally at the Mannes College of Music in New York City and privately with American masters William Schuman and Aaron Copland. Miller has since developed a network of friends that include luminary musicians like bassist Will Lee, guitarist David Spinnozza, and singer/songwriter Marshall Crenshaw. Miller began performing as the drummer and keyboardist for the punk/power pop band, The Metromen, in the style of Joe Jackson, The Police, and Elvis Costello. Sought-after for Super Bowl and other advertising, Miller has won several Clio and Addy awards for his national and international television commercial scores. Miller's score for Teeth was nominated for a 2009 Fangoria Chainsaw Award. His other Emmy nominated films are The Lost Son of Havana (2010) and Rising: Rebuilding Ground Zero (2011). #ROBERT MILLER VEEER MOVIE#Miller's projects have received the 2005 Sundance Grand Jury Prize (Why We Fight), 2005 Tribeca Film Festival: Best Narrative Feature Award (Red Doors), 2014 African Movie Academy Awards: Best Film Nomination (The Forgotten Kingdom), and a 2016 Emmy (Of Miracles and Men). #ROBERT MILLER VEEER TV#Miller's scores for films, documentaries, TV and advertising reflect his diverse musical background and comfort in a broad range of musical styles. Robert Miller is an American film and televison score composer who is a frequent collaborator with directors Jonathan Hock and Eugene Jarecki, and legendary picture editor Walter Murch. ![]()
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